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Dans la cuisine

DinnerTheater

Food, politics and transmission
©Annah Schaeffer

19.09.25 · 19h
+ 20.09.25 · 11h

Language : FR

All audiences

Duration: 1h30 + 30m Meal

Place: Tour à Plomb

In this intimate, participatory and culinary play, you are invited into Mélanie's kitchen as she tries to remake the recipe for her Nonna Anna's famous tomato sauce. An informal meal will follow the play.

Mélanie grew up in Charleroi, lulled by the smell of simmering tomato sauce and greasy chips. From what she’s been told about her native country, she understands that it’s ‘the most beautiful country in the world’. What she knows of it is a mosaic of caricatural images she heard, coming from a mainstream vision of Italy. She doesn’t really speak Italian, but she’s certain that a powerful and intense bond links her to this land of sunshine and olive oil. Something tells her that the slight sadness that gets hold of her here might find comfort there. Tonight is the eve of the ceremony celebrating the 10th anniversary of her Nonno’s death and Mélanie is nervous. She is trying to cook for the guests a tomato sauce following her Nonna Anna’s emblematic recipe. Invited into her kitchen, we witness a true culinary, musical and emotional bubbling. Leaning against Mélanie’s kitchen’s oilcloth, we discover the place her origins play in her life: her passion for everything Italian, her admiration for her Nonna and her unwavering loyalty to her community.

Thanks to
A project by La lisière Cie. Created with the support of Fédération Wallonie-Bruxelles, Bois du Cazier, Maison des Cultures de Saint-Gilles, Collectif 1984 and Théâtre Le Boson. Photo credit: Annah Schaeffer Artistic team: Design, creation, direction and stage management: Emeline Marcour Creation and performance: Lisa Tonelli
La Lisière
La lisière is a theatre company founded in 2021 by Émeline Marcour and Lisa Tonelli. We create ‘surrealistic-documentary’ forms in which the raw mixes with the poetic. Our starting point is always reality, and collected testimonies: some words remain intact, others escape and drift so as to serve the fiction. The audience, who often become accomplices, take part in our hybrid experiments where performance merges with cooking to create crazy theatrical feasts.
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